Life Notes #44: Short Stories

I have been reading two short story collections: Christmas Crimes at the Mysterious Bookshop and The Best American Mystery and Suspense 2024. Combine a short story with some mystery, and I can’t resist! There’s something magical about how a skilled writer can weave an entire world, complete with complex characters and surprising twists, in just a few pages.

While a book is a commitment of a few hours, a short story can be read in about 20-odd minutes – perfect for those stolen moments in a day or just before bed. I am always trying to guess the twist at the end – and rarely succeed. (Guess that’s what makes the story leave its mark.) There are times when I just don’t get the ending, and then I have to Google and figure out what the author intended. But that’s part of the joy – the interpretation, the discussion, the discovery of layers of meaning I might have missed.

When Abhishek was younger, we used to listen to audio versions of short stories, especially the O’Henry ones. “The Gift of the Magi” was so hauntingly beautiful – its message of sacrifice and love resonating deeply with both of us. At some level, the stories are a moment in time as the lives of people intersect. Their emotions are perhaps what we would feel, their actions what we would do. These shared storytelling moments created a special bond, a shared vocabulary of tales and morals that we still reference today.

In school, short stories felt like hard work – trying to not only understand the story but also write the answers in the exams that matched the teacher’s interpretations! The beauty of these tales was often lost in the academic dissection required for good grades. But somewhere along the way, I fell in love with stories despite the formal analysis. When I launched IndiaWorld, I had an Indian short stories section, believing in their power to connect and engage with Indians globally. I still remember the Katha Prize Stories – how they captured the essence of Indian life in ways that international collections rarely could. I look forward to Indian short stories because they tend to be more relatable, grounded in experiences and contexts I understand intimately.

I have often wondered what makes a good short story. Is it the relatable characters who feel like people we might know? The surprising yet inevitable ending that leaves us thinking? Or is it what the story leaves behind – that lingering feeling, those questions that stay with us long after we’ve finished reading? I guess it’s a mix of all of the above. The best short stories are like perfectly cut gems – every facet carefully crafted to catch the light just so, creating something beautiful and memorable in its brevity.

Mystery stories hold a special place in this format. Unlike novels that can take their time laying out clues and red herrings, short mystery stories must be economical yet fair to the reader. Every word counts, every detail matters. Perhaps that’s why they’re so satisfying when done well – they’re puzzles that challenge both our intellect and our emotional understanding of human nature.

Now, I must get back to reading the next story! And maybe, someday, I can write a few of my own!

Published by

Rajesh Jain

An Entrepreneur based in Mumbai, India.